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Programme notes CH 03 — The Haunted Screen

The Vampire Bat

1933 · Directed by Frank R. Strayer · 63 minutes

A village blames a vampire for its bloodless dead. The doctor up the hill has a laboratory he keeps locked.

Majestic, a Poverty Row outfit, signed Lionel Atwill and Fay Wray while Warner Bros. had them making Mystery of the Wax Museum, and rented Universal's backlot village to look like a studio picture. Melvyn Douglas is the police inspector who will not believe in vampires, played as a light comedian dropped into a horror film. Dwight Frye, Renfield two years before, is the simple man who keeps bats as pets and so becomes the village's answer. The film is harder on the mob with torches than on whatever is draining the bodies. Watch Frye's face when the townspeople start using the word.

Credits — follow anyone

Directed by
Frank R. Strayer
Photographed by
Ira H. Morgan

Every name is a door — each opens onto everything else that person made in the network.

The thread · every thread

The Most Dangerous Game (1932)

Fay Wray, four months apart: hunted through RKO's jungle at night in one, menaced in a rented Universal village in the other. The big studio shot its thriller on sets built for King Kong; the small one borrowed somebody else's Europe. Both run about an hour and waste none of it.


The print
Transmitted from a public-domain print held by the Internet Archive (TheVampireBatcompleteVersion). Public-domain films belong to everyone; if you love this one, the Archive accepts donations toward keeping the shelves open.