Programme notes CH 04 — The Matinee
Young Man of Manhattan
A sportswriter and a film columnist marry after a prizefight and find out what two bylines do to one apartment.
Claudette Colbert, a year into talkies, plays a newspaperwoman whose career overtakes her husband’s; Norman Foster is the sportswriter who would rather drink with the boys than read her column. Monta Bell, who had worked for Chaplin and directed Garbo, keeps the press-box talk quick and lets the marriage scenes run long and quiet. Charlie Ruggles is the colleague who is never sober and never wrong. Watch for Ginger Rogers in her first feature, eighteen, as a flapper with one line to start a career on: “Cigarette me, big boy.” The line outlived the picture.
Credits — follow anyone
- Directed by
- Monta Bell
Every name is a door — each opens onto everything else that person made in the network.
The thread · every thread
Two newsrooms a year apart. In one the reporters are married to each other and the paper comes between them; in the other the paper is the marriage, and Hildy Johnson cannot get out of it.